Alexei Yagudin / Алексей Ягудин / アレクセイ・ヤグディン
2000/2001 ISU Grand Prix Final, Tokyo, Japan, Feb.15-18 2001
2000-2001 フィギュアスケート グランプリ ファイナル 代々木体育館 (東京) 2001年2月15日-18日
Финал Гран-при по фигурному катанию, Токио, Япония, 15-18 февраля 2001
playlist: www.youtube.com/playlist?list=PLgo7E_HF6TjoDLQ6INDnyF8GTt4hjV3Jn
Music: «The Revolutionary Etude» by Chopin / Революционный этюд (Шопен) / 革命のエチュード (ショパン)
Звездная дорожка Алексея Ягудина с Олимпиады 2002 года в Солт-Лейк-Сити не поблекла ни на снежинку, ни на звездинку, ни на хлопок в громком гуле аплодисментов 9 февраля 2019 года на Арене2000 в Ярославле. Фрагмент выступления знаменитого российского фигуриста в юбилейном шоу Ильи Авербуха «15 лет успеха!» записан на мобильный телефон (прошу прощения за качество).
Antonio Vivaldi — Concertos and Symphonies for Strings Part 1
1 — 0:01.00 — Concerto in C major RV109, 1. Allegro
2 — 1:32.22 — Concerto in C major RV109, 2. Adagio
3 — 2:45.16 — Concerto in C major RV109, 3. Allegro molto
4 — 3:56.09 — Concerto in C minor RV120, 1. Allegro non molto
5 — 6:12.72 — Concerto in C minor RV120, 2. Largo
6 — 8:07.01 — Concerto in C minor RV120, 3. Allegro
7 — 10:14.11 — Concerto in D major RV126, 1. Allegro
8 — 11:51.64 — Concerto in D major RV126, 2. Andante
9 — 14:20.50 — Concerto in D major RV126, 3. Allegro molto
10 — 15:35.50 — Concerto in D minor RV129, Madrigalesco, 1. Adagio
11 — 16:33.30 — Concerto in D minor RV129, Madrigalesco, 2. Allegro
12 — 18:03.15 — Concerto in D minor RV129, Madrigalesco, 3. Adagio
13 — 18:42.21 — Concerto in D minor RV129, Madrigalesco, 4. Allegro moderato
14 — 19:32.59 — Symphony in E major RV131, 1. Allegro
15 — 20:57.35 — Symphony in E major RV131, 2. Andante
16 — 22:55.37 — Symphony in E major RV131, 3. Allegro
17 — 23:59.58 — Concerto in E minor RV134, 1. Allegro moderato
18 — 26:38.14 — Concerto in E minor RV134, 2. Andante
19 — 28:37.58 — Concerto in E minor RV134, 3. Allegro
20 — 30:16.40 — Concerto in F minor RV143, 1. Allegro
21 — 32:44.63 — Concerto in F minor RV143, 2. Adagio
22 — 33:32.61 — Concerto in F minor RV143, 3. Allegro assai
23 — 36:03.10 — Concerto in G major RV151, Alla Rustica, 1. Presto
24 — 37:24.63 — Concerto in G major RV151, Alla Rustica, 2. Adagio
25 — 38:10.42 — Concerto in G major RV151, Alla Rustica, 3. Allegro
26 — 39:53.20 — Concerto in G minor RV155, 1. Adagio
27 — 41:42.43 — Concerto in G minor RV155, 2. Allegro
28 — 43:13.04 — Concerto in G minor RV155, 3. Largo
29 — 47:00.24 — Concerto in G minor RV155, 4. Allegro
Юдзуру Ханю стал обладателем серебряной медали в финале Гран-при по фигурному катанию в Турине!
Произвольную программу двукратного олимпийского чемпиона судьи оценили на 194,00 балла. По итогам двух соревновательных дней японец показал второй результат (291,43 балла), уступив победу американцу Нэтану Чену (335,30 балла).
Бронза на счету француза Кевина Эймоза, набравшего по сумме двух прокатов 275,63 балла. Россияне Александр Самарин и Дмитрий Алиев завершили соревнований с четвертым (248,83 балла) и шестым (220,04 балла) результатом соответственно.
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a «lamentation», mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or «very quietly», and the loudest it gets is mezzo forte or «moderately loud».
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it «is one of those poems that human language does not know how to qualify. The work was very popular in Beethovens day, to the point of exasperating the composer himself, who remarked to Carl Czerny, „Surely Ive written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as “a flower between two chasms.»[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movements cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethovens (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopins Fantaisie-Impromptu, which manifests the key relationships of the sonatas three movements.
Of the final movement, Charles Rosen has written «it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethovens heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethovens pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: „Si deve suonare tutto questo pezzo delicatissimamente e senza sordino“. (»One must play this whole piece [meaning «movement»] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethovens day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethovens original direction.
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Violin Concerto in A minor, BWV 1041
00:00:00 Allegro moderato
00:03:46 Andante
00:09:26 Allegro assai
Violin Concerto in E major, BWV 1042
00:12:56 Allegro
00:20:47 Adagio
00:26:38 Allegro assai
Double Violin Concerto in D minor, BWV 1043
00:29:16 Vivace
00:32:59 Largo, ma non tanto
00:39:19 Allegro
Concerto for 3 Violins and Strings in D major, BWV 1064r
00:43:55 Adagio
00:50:30 Allegro
00:56:07 Allegro
Violin Concerto G minor, BWV 1056r
01:00:42 Allegro
01:04:23 Largo
01:06:58 Presto
Concerto for Violin and Oboe in C minor, BWV 1060r
01:10:06 Allegro
01:14:52 Adagio/ Largo
01:19:31 Allegro
Violin Concerto in D minor BWV 1052a
01:23:03 Allegro
01:31:03 Adagio
01:37:31 Allegro
Concerto for Flute, Violin, Harpsichord and Strings in A minor, BWV 1044
01:45:32 Allegro
01:53:51 Adagio ma non tanto e dolce
01:59:44 Tempo di Allabreve
Юмористическое шоу канала «Россия 1». Компания артистов «Аншлага» как всегда теплая и веселая. Братья Александр и Валерий Пономаренко решили внести предложение использовать полиграф при приеме чиновников на работу, а Геннадий Ветров и Игорь Маменко попробуют разобраться в отношениях инспектора ГАИ и водителя. Сегодня в «Аншлаге» также интервью с любимой всеми актрисой, легендарной Ольгой Аросевой. Также зрителей ждут семейные советы от Клары Новиковой и новые анекдоты от Владимира Моисеенко. Гости программы — музыканты необычного оркестра Юрия Гальцева. А в рубрике «Золотой архив» — любимые номера прошлых лет. На сцене также с премьерными номерами: Владимир Винокур, Светлана Рожкова, Андрей Баринов и другие.
Ведущая: Регина Дубовицкая