Mr. Bean Live Performance at the London 2012 Olympic Games


Rowan Atkinson performs under the guise of his famous character Mr. Bean at the Opening Ceremony of the London 2012 Olympic Games.

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Every two years, the worlds finest athletes gather at the Olympic Games — a spectacular celebration of sporting excellence that captures the attention of billions of people around the world. However, the Games are about much more than just sport. They bring the Olympic values to life and provide a global arena for a unique combination of sport, culture, education and ceremonies.

At the Olympic Games in London 2012, about 10,500 athletes from 204 countries compete in 26 different sports, comprising 302 medal events. Whether athletes win a medal or not, they can forever call themselves Olympians. The sporting competitions are undoubtedly the central focus of the Olympic Games and participating in the Games is the ultimate goal for most athletes.

Every edition has its own story to tell and will be remembered for some truly remarkable performances from sporting legends such as Jesse Owens, Abebe Bikila, Jean-Claude Killy, Nadia Comaneci, Katarina Witt, Michael Phelps and Usain Bolt, to name just a few.

Find more about the Olympic Games at www.olympic.org/olympic-games

Алексей Ягудин. Мне очень повезло с Татьяной (2009, д/ф)


Документальный фильм 2009 года
www.1tv.ru/documentary/fi=6318

В фильме принимают участие:
Татьяна Тотьмянина — Олимпийская чемпионка
Максим Маринин — Олимпийский чемпион
Алексей Ягудин — Олимпийский чемпион
Олег Васильев — Олимпийский чемпион, Заслуженный тренер России
Наталья Павлова — Заслуженный тренер России
Тамара Москвина — Заслуженный тренер СССР

Производство: «Европа ТВ», 2009
Автор и продюсер: Алексей Васильев
Режиссер: Олег Шиловский

Johann Sebastian Bach - The Greatest Hits (Full album)


Johann Sebastian Bach — The Greatest Hits

01. Toccata and Fugue in D Minor, BWV 565 0:00:09
Сергей Дижур
02. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie 0:09:37
Московский камерный оркестр, Рудольф Баршай
03. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air 0:11:04
Московский камерный оркестр, Рудольф Баршай
04. Orchestral Suite No. 4 in D Major, BWV 1069: IV. Gavotte 0:17:08
Московский камерный оркестр, Рудольф Баршай
05. Sonata No. 1 in B Minor, BWV 1014: II. Allegro 0:18:14
Игорь Ойстрах, Наталья Зерцалова
06. Trio in G Major, BWV 586 0:21:49
Сергей Цацорин
07. Concerto for 2 Harpsichords in C Minor, BWV 1060: I. Allegro 0:25:08
Московский камерный оркестр, Константин Орбелян, Ирина Иванова, Александр Архангельский
08. Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo 0:29:58
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
09. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet 0:32:52
Московский камерный оркестр, Рудольф Баршай
10. Sonata No. 4 in C Minor, BWV 1017: I. Largo 0:34:19
Игорь Ойстрах, Наталья Зерцалова
11. Well-Tempered Clavier, Book I, BWV 846: Prelude and Fugue No. 1, in C Major 0:39:39
Андрей Гаврилов
12. Concerto for 3 Harpsichords and Strings in D Minor, BWV 1063: III. Allegro 0:41:37
Московский камерный оркестр, Рудольф Баршай
13. Brandenburg Concerto in G Major, BWV 1048: III. Allegro 0:47:52
Ансамбль скрипачей Большого Театра, Борис Хайкин
14. Sonata No. 2 in A Major, BWV 1015: III. Andante un poco 0:54:22
Игорь Ойстрах, Наталья Зерцалова
15. Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro moderato 0:58:11
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер
16. Concerto for Flute, Violin and Harpsichord in A Minor, BWV 1044 1:01:35
Московский камерный оркестр, Рудольф Баршай, Сергей Дижур, Куняев Борис, Миранович Леонид
17. Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto 1:11:14
Московский камерный оркестр, Константин Орбелян, Карол Розенбергер

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Beethoven - Moonlight Sonata (FULL)


Beethoven — Moonlight Sonata (FULL) — Piano Sonata No. 14
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The Piano Sonata No. 14 in C♯ minor «Quasi una fantasia», op. 27, No. 2, by Ludwig van Beethoven

The sonata has three movements:

0:00 1 mvt: Adagio sostenuto
6:00 2 mvt: Allegretto
8:05 3 mvt: Presto agitato

Adagio sostenuto

The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a «lamentation», mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or «very quietly», and the loudest it gets is mezzo forte or «moderately loud».

The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it «is one of those poems that human language does not know how to qualify. The work was very popular in Beethovens day, to the point of exasperating the composer himself, who remarked to Carl Czerny, „Surely Ive written better things.

Allegretto

The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as “a flower between two chasms.»[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movements cheerful disposition.

Presto agitato

The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethovens (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.

It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopins Fantaisie-Impromptu, which manifests the key relationships of the sonatas three movements.

Of the final movement, Charles Rosen has written «it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.

Beethovens heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethovens pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals

At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: „Si deve suonare tutto questo pezzo delicatissimamente e senza sordino“. (»One must play this whole piece [meaning «movement»] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethovens day, leaving for a rather blurry and dissonant tone.

One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethovens original direction.

#Beethoven #Piano #ClassicalMusic

DUEL (Bond cover) - VORD Electric String Quartet


Here it is, our cover of (BOND) «Duel» -Hope you enjoy it!!! please share and subscribe

This song original from BOND, written by Tonči Huljić

VORD: Rabin Alfath (1st violin), Danu Kusuma (2nd violin), Joshua Rezkiel (viola), Eki Satria (cello)

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Music cover arranged by VORD, Taufan Kamang (Anka), DJ Phiel
Music cover mixed by DJ Phiel
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Video Production by Forward Idea Breeders
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Location: Brick

Dalalai


Provided to YouTube by Universal Music Group

Dalalai · Bond

Born

℗ 2000 Decca Music Group Limited

Released on: 2001-01-01

Associated Performer, Violin: Haylie Ecker
Associated Performer, Violin: Eos
Associated Performer, Viola: Tania Davis
Associated Performer, Cello: Gay-Yee Westerhoff
Associated Performer, Guitar, Electric Sitar: Clem Clempson
Associated Performer, Vocals: Anita Kelsey
Associated Performer, Synthesizer, Producer: Gareth Cousins
Associated Performer, Saxophone, Ewi: Phil Todd
Orchestra: Royal Philharmonic Orchestra
Conductor: Julian Kershaw
Composer: Tonci Huljic

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