Composer: Antonio Vivaldi
Artists: LArte dellArco, Federico Guglielmo, Francesco Galligioni
Cello Concerto in D Minor, RV 405:
00:00:00 I. —
00:02:40 II. Adagio
00:06:27 III. Allegro
Cello Concerto in G Minor, RV 417:
00:08:45 I. Allegro
00:11:28 II. Andante
00:15:22 III. Allegro
Cello Concerto in D Major, RV 403:
00:18:22 I. Allegro
00:21:10 II. —
00:22:52 III. Allegro
Cello Concerto in F Major, RV 410:
00:25:29 I. Allegro
00:28:49 II. Adagio, solo a piacimento
00:32:39 III. —
Cello Concerto in A Minor, RV 420:
00:36:05 I. Andante
00:39:49 II. Adagio
00:43:13 III. Allegro
Cello Concerto in G Major, RV 414:
00:46:39 I. Allegro molto
00:50:07 II. Andante
00:52:54 III. Presto
Cello Concerto in G Minor, RV 416:
00:56:07 I. Allegro
00:59:39 II. Adagio (Largo)
01:02:50 III. Allegro
Cello Concerto in A Minor, RV 418:
01:05:37 I. Allegro
01:09:32 II. —
01:12:52 III. Allegro
Cello Concerto in C Minor, RV 401:
01:15:49 I. Allegro non molto
01:19:53 II. Adagio
01:22:12 III. Allegro ma non molto
Cello Concerto in G Major, RV 413:
01:25:03 I. Allegro
01:28:02 II. Largo
01:31:52 III. Allegro
Cello Concerto in G Major, RV 415:
01:34:45 I. Allegro
01:37:20 II. Siciliana
01:40:26 III. Alla breve
Cello Concerto in A Minor, RV 419:
01:43:29 I. Allegro
01:47:00 II. Andante
01:50:01 III. Allegro
Cello Concerto in B Minor, RV 424:
01:51:34 I. Allegro non molto
01:55:14 II. Largo
01:57:39 III. Allegro
Cello Concerto in D Minor, RV 406:
02:01:03 I. Allegro non molto
02:03:52 II. Andante
02:06:12 III. Minuet
Cello Concerto in A Minor, RV 421:
02:10:57 I. Allegro non troppo
02:13:57 II. —
02:15:57 III. Allegro
Cello Concerto in C Major, RV 399:
02:18:19 I. Allegro
02:20:26 II. Largo
02:22:26 III. —
Cello Concerto in F Major, RV 411:
02:24:39 I. Allegro
02:27:28 II. Largo
02:28:49 III. Allegro molto
Cello Concerto in D Major, RV 404:
02:30:45 I. —
02:33:31 II. Affettuoso
02:35:21 III. Allegro
Cello Concerto in C Major, RV 398:
02:38:24 I. Allegro
02:41:03 II. Largo
02:42:57 III. —
Cello Concerto in C Minor, RV 402:
02:45:07 I. Allegro
02:48:29 II. Adagio
02:51:36 III. Allegro
Cello Concerto in F Major, RV 412:
02:53:57 I. —
02:56:37 II. Larghetto
02:58:38 III. Allegro
Cello Concerto in D Minor, RV 407:
03:00:56 I. Allegro
03:04:05 II. Largo
03:07:18 III. Allegro
Cello Concerto in C Major, RV 400:
03:10:22 I. Allegro
03:13:15 II. Largo
03:16:00 III. Allegro non molto
Cello Concerto in E Minor, RV 409:
03:18:28 I. Adagio – Allegro molto}
03:23:05 II. Allegro – Adagio
03:24:19 III. Allegro
Cello Concerto in B-Flat Major, RV 423:
03:26:45 I. Allegro
03:20:09 II. Largo
03:32:41 III. Allegro
Cello Concerto in E-Flat Major, RV 408:
03:36:11 I. Allegro non molto
03:39:41 II. Largo
03:43:08 III. Allegro
Cello Concerto in A Minor, RV 422:
03:45:15 I. Allegro
03:48:21 II. Largo cantabile
03:51:16 III. Allegro
Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: brilliant-classics.lnk.to/YouTube
And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a «lamentation», mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or «very quietly», and the loudest it gets is mezzo forte or «moderately loud».
The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it «is one of those poems that human language does not know how to qualify. The work was very popular in Beethovens day, to the point of exasperating the composer himself, who remarked to Carl Czerny, „Surely Ive written better things.
Allegretto
The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as “a flower between two chasms.»[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movements cheerful disposition.
Presto agitato
The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethovens (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing.
It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopins Fantaisie-Impromptu, which manifests the key relationships of the sonatas three movements.
Of the final movement, Charles Rosen has written «it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing.
Beethovens heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized.
Beethovens pedal mark
See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals
At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: „Si deve suonare tutto questo pezzo delicatissimamente e senza sordino“. (»One must play this whole piece [meaning «movement»] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethovens day, leaving for a rather blurry and dissonant tone.
One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethovens original direction.
Thank you very much for your help. | Огромное спасибо за вашу помощь.
How to Support channel | Поддержать канал:
Yandex Money — money.yandex.ru/to/41001468240358
Visa — 4274 3200 4759 6880
Mastercard — 5469 3801 1971 3328
PayPal — www.paypal.me/tyutimovalex
Военный Детектив «Смерть Шпионам. Скрытый Враг» Русские детективы, фильмы HD.
На территории оккупированной Польши ведет свою работу школа разведки, которая готовит диверсантов. Группу из шести студентов этой школы отправляют в советский тыл, чтобы уничтожить важный стратегический мост в районе Житомира. Такой шаг позволил бы нарушить снабжение советской армии военной техникой и боеприпасами. Несмотря на то, что в действиях диверсантов нет слаженности, им удается вплотную подойти к выполнению задания. Ответственность за раскрытие и предупреждение диверсии лежит на капитане НКВД Александоре Галимове и его помощнице Любе Липинской. Решающая операция обойдется им не только ценой подвига, но и личными жертвами.
Уже сейчас смотри концерт, посвященный юбилею Любэ и самым ярким ХИТАМ 90-Х! Для вас выступят Валерия, Николай Басков, Филипп Киркоров, Фабрика, Леонид Агутин, Отпетые Мошенники, Григорий Лепс, EMIN, Алёна Свиридова, НА-НА, Александр Буйнов, Владимир Пресняков, Руки Вверх, Алёна Апина, Александр Малинин, Александр Иванов и Рондо, Владимир Кузьмин, Наташа Королева, Игорь Николаев, Жасмин, Зара, Слава и Любовь Успенская!
_____
Официальный сайт телеканала ЖАРА: zhara.tv
Лучшие шутки про мужа его жену и его тещу от Дизель Шоу! Поездка на дачу на картошку, поход в лес за грибами, экстремальный отдых в горах, празднование Нового года и праздник 8 марта – все это происходит с мужем, женой и тещей. Эти три персонажа в исполнении талантливых актеров Дизель Шоу – Александра Бережок, Виктория Булитко и Марина Поплавская уже успели полюбится многим фанатам Дизель Шоу. Самые смешные анекдоты про зятя и тещу, а также лучшие приколы про взаимоотношения матери, дочери и ее мужа смотрите в новой подборке лучших сценок из Дизель Шоу.
«Дизель Шоу» — это лучшие шутки и приколы. Егор Крутоголов, Евгений Сморигин, Олег Иваница, Виктория Булитко, Яна Глущенко, Марина Поплавская, Евгений Гашенко — их знают и любят настоящие ценители хорошего юмора. Шутки на самые актуальные темы, многочисленные сценки в стиле СТЭМа, музыкальные номера и даже розыгрыши зрителей в зале – все это «Дизель Шоу»! Смотрите новые выпуски Дизель шоу, смешное видео от украинских юмористов только на нашем ютуб-канале