Академия Хоккея — nwhockey.ru
24 ноября в спортивном комплексе «Хоккейный город СКА» для тренеров были организованы лекция и мастер-класс С.В. Якимовича (выступал за ХК СКА в сезонах 1999-2003, играл в клубах «Салават-Юлаев», «Торпедо» (Н. Новгород), чемпион Белоруссии в составе команды «Юность-Минск»). Мастер-класс организован Академией Хоккея при поддержке Благотворительного фонда Тимченко.
Alexei Yagudin / Алексей Ягудин / アレクセイ・ヤグディン
2000/2001 ISU Grand Prix Final, Tokyo, Japan, Feb.15-18 2001
2000-2001 フィギュアスケート グランプリ ファイナル 代々木体育館 (東京) 2001年2月15日-18日
Финал Гран-при по фигурному катанию, Токио, Япония, 15-18 февраля 2001
playlist: www.youtube.com/playlist?list=PLgo7E_HF6TjoDLQ6INDnyF8GTt4hjV3Jn
Music: «The Revolutionary Etude» by Chopin / Революционный этюд (Шопен) / 革命のエチュード (ショパン)
Alexei Yagudin / Алексей Ягудин / アレクセイ・ヤグディン
2002 World Figure Skating Championships, Men Qualifying Round, Nagano, Japan, March 16 — 24 2002
2002年世界フィギュアスケート選手権 男子 予選, 長野 エムウェーブ 2002年3月16日 — 24日
Чемпионат мира по фигурному катанию 2002, Мужчины Отборочный раунд, в Нагано (Япония) с 16 по 24 марта 2002.
Antonio Vivaldi — Le quattro stagioni (The Four Seasons)
*Concerto No. 1 in E major, Op. 8, RV 269, «Spring» (La primavera)
1. Allegro (00:30)
2. Largo e pianissimo sempre (03:37)
3. Allegro pastorale (06:25)
*Concerto No. 2 in G minor, Op. 8, RV 315, «Summer» (Lestate)
1. Allegro non molto (10:22)
2. Adagio e piano – Presto e forte (16:02)
3. Presto (18:03)
*Concerto No. 3 in F major, Op. 8, RV 293, «Autumn» (Lautunno)
1. Allegro (20:37)
2. Adagio molto (26:14)
3. Allegro (28:47)
*Concerto No. 4 in F minor, Op. 8, RV 297, «Winter» (Linverno)
1. Allegro non molto (32:40)
2. Largo (35:56)
3. Allegro (38:34)
Encore: J. S. Bach — Air for Violin, Harpsichord and Strings (45:28)
Anne-Sophie Mutter, violin and direction
Mutter Virtuosi Ensemble
James Gaffigan dirige lOrchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 — Début du concert
01:19 — I. Introïtus
02:00 — Requiem
05:46 — II. Kyrie
08:13 — III. Sequentia. Dies Irae
10:09 — Tuba mirum
13:29 — Rex tremendae
15:31 — Recordare
20:27 — Confutatis
22:49 — Lacrimosa
25:52 — IV. Offertorium Domine Jesu Hostias
32:52 — V. Sanctus
34:30 — VI. Benedictus
38:52 — VII. Agnus Dei
41:45 — VIII. Communio — Lux Aeterna
A propos de l’œuvre:
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour lauteur de l’œuvre, une supercherie dont il était familier!
Épuisé, Mozart s’éteint le 5 décembre 1791 à lâge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Distribution:
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 — 1791):
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
On May 7, 1824, Beethoven shared his 9th Symphony with the world even though he could never hear it. On May 7, 2015 celebrate the anniversary of Beethoven’s most glorious and jubilant masterpiece with Riccardo Muti and the Chicago Symphony Orchestra and Chorus. An exhilarating testament to the human spirit, Beethoven’s Ninth bursts with brooding power and kinetic energy and culminates in the exultant hymn, “Ode to Joy.”The video is now available free on demand for all to enjoy! — See more at: cso.org/beethoven9
#sharethejoy
The complete concerto, «La Primavera» (Spring), from the Four Seasons. Voices of Music, Alana Youssefian, baroque violin. The concerto is here presented in 4K, ultra high definition video, performed on original instruments.
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For this video, a new edition was prepared from the original sources, prints and manuscripts for Vivaldis music. In preparing this performing edition, we made the musicological decision that the indication for mutes in the Allegro («con Sordine») for the violins is misplaced in the original print (there is no indication in the Manchester part books), and the mutes should be in the Largo (and, importantly, not in the final movement). The mutes now provide a textural fence between the violas and the soloist. Vivaldi writes that the last movement is a rustic dance to the sound of bagpipes (“Zampogna”). So we also listened to some old style Italian bagpipes and added a few notes to the drones in Vivaldis bass part to recreate this brilliant and special sound. Here is our new version, with the muted violins in the slow movement, and the vibrant, un-muted final allegro.
Ms Youssefian plays a baroque violin by Jason Viseltear, 2016, after Carlo Giuseppe Testore, Milan, at the sign of the eagle.
Special thanks to Michael Talbot. NB: Subtitles are by Antonio Vivaldi!
Vivaldi — Complete Violin Concertos Opp. 1-12
Artist:
LArte dellArco
Federico Guglielmo (conductor Federico Guglielmo)
Francesco Galligioni (cello)
Pier Luigi Fabretti (oboe)
Mario Folena (flute)
Disk 5
Concerto No. 10 in B Minor, RV 580: I. Allegro
Concerto No. 10 in B Minor, RV 580: II. Largo
Concerto No. 10 in B Minor, RV 580: III. Larghetto – Adagio – Largo
Concerto No. 10 in B Minor, RV 580: IV. Allegro
Concerto No. 1 in D Major, RV 549: I. Allegro
Concerto No. 1 in D Major, RV 549: II. Largo e spiccato
Concerto No. 1 in D Major, RV 549: III. Allegro
Concerto No. 5 for 2 Violins in A Major, RV 519: I. Allegro
Concerto No. 5 for 2 Violins in A Major, RV 519: II. Largo
Concerto No. 5 for 2 Violins in A Major, RV 519: III. Allegro
Concerto No. 7 in F Major, RV 567: I. Andante
Concerto No. 7 in F Major, RV 567: II. Adagio
Concerto No. 7 in F Major, RV 567: III. Allegro
Concerto No. 7 in F Major, RV 567: IV. Adagio – Allegro
Concerto No. 8 for 2 Violins in A Minor, RV 522: I. Allegro
Concerto No. 8 for 2 Violins in A Minor, RV 522: II. Larghetto e spiritoso
Concerto No. 8 for 2 Violins in A Minor, RV 522: III. Allegro
Concerto No. 4 for 4 Violins in E Minor, RV 550: I. Andante
Concerto No. 4 for 4 Violins in E Minor, RV 550: II. Allegro assai
Concerto No. 4 for 4 Violins in E Minor, RV 550: III. Adagio – Allegro
Disk 6
Violin Concerto No. 9 in D Major, RV 230: I. Allegro
Violin Concerto No. 9 in D Major, RV 230: II. Larghetto
Violin Concerto No. 9 in D Major, RV 230: III. Allegro
Concerto No. 2 in G Minor, RV 578: I. Adagio e spiccato
Concerto No. 2 in G Minor, RV 578: II. Allegro
Concerto No. 2 in G Minor, RV 578: III. Larghetto
Concerto No. 2 in G Minor, RV 578: IV. Allegro
Violin Concerto No. 12 in E Major, RV 265: I. Allegro
Violin Concerto No. 12 in E Major, RV 265: II. Largo
Violin Concerto No. 12 in E Major, RV 265: III. Allegro
Violin Concerto No. 6 in A Minor, RV 356: I. Allegro
Violin Concerto No. 6 in A Minor, RV 356: II. Largo
Violin Concerto No. 6 in A Minor, RV 356: III. Presto
Concerto No. 11 in D Minor, RV 565: I. Allegro
Concerto No. 11 in D Minor, RV 565: II. Adagio e spiccato – Allegro – Adagio
Concerto No. 11 in D Minor, RV 565: III. Largo e spiccato
Concerto No. 11 in D Minor, RV 565: IV. Allegro
Violin Concerto No. 3 in G Major, RV 310: I. Allegro
Violin Concerto No. 3 in G Major, RV 310: II. Largo
Violin Concerto No. 3 in G Major, RV 310: III. Allegro?
For the first time in 4K Ultra High Definition video, Bachs Brandenburg Concerto No. 3 in G Major (BWV 1048), complete, performed on original instruments by the Early Music ensemble Voices of Music. I. (Allegro) 0:00 II. Adagio 5:34 III. Allegro 5:45
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In March of 1721, Johann Sebastian Bach carefully inked six of his best concertos into a book for the Margrave of Brandenburg, Christian Ludwig. The original title, «Six Concerts à plusieurs instruments» is now known as the «Brandenburg» Concertos in English or «Brandenburgische Konzerte» in German.
These six concertos represent the summa of chamber music in the high baroque period, and the third concerto (BWV 1048) is noted for its rich texture of three violins, three violas and three cellos, with a continuo part for the harpsichord and violone. The original title is as follows: «Concerto 3zo [terzo] a tre Violini, tre Viole, è tre Violoncelli col Basso per il Cembalo». On the continuo part, Bach has written «Violone
Pachelbels Canon in D, performed on original instruments from the time of Pachelbel by the Early Music ensemble Voices of Music. Please subscribe to our channel www.youtube.com/VoicesofMusic/?sub_confirmation=1
Is it really a canon? Yes, absolutely! The three violin parts are exactly the same. Its also a ground bass.
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Soundtrack tinyurl.com/PachelbelVideo
Performed on original instruments by San Francisco Early Music Ensemble Voices of Music. Featuring Katherine Kyme, Carla Moore