HAUSER performing Benedictus from The Armed Man: A Mass for Peace
by Karl Jenkins (Hendon Music Inc (BMI)) with Zagreb Philharmonic Orchestra and Choir Zvjezdice at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor
Filmed and edited by MedVid production
Sound and mixing by Morris Studio
Classical chillout music for studying,concentration,sleep or just chillin :) There was a problem with upload,last few minutes where cut.last song is Samuel Barber — Adagio for strings.Sorry for that everyone…
Track list:
0:00 Pachbell — Canon
5:20 Mozart — Eine Kleine Natchtmusik — Andante
11:08 Beethoven — Fur Elise
14:07 Tchaikovsky — String quartet No1 — Andante
20:49 Debussy — Clair de Lune
25:37 Janacek — Idyll for strings — Adagio
31:15 Albinoni — Adagio in G minor
39:45 Debussy — The girl with the Flaxen hair
42:00 Bach — Air on a G string
47:10 Williams — Greensleeve
51:41 Handel — Largo from Xerxes
56:00 Bach — Fugue in C minor
58:54 Holst — The planets — Venus
1:06:56 Bach — Goldberg variations — Aria
Tracklist:
1- Labs Cloud — A Kiss is the best Medicine
2-Mungusid — Crying Spy
3-GMO vs Dense — Passing Storm
4-Sygnals — Smelling Sky
5-Mungusid — Escape
6-Labs Cloud — In a Digital World
Joseph Calleja, one of the world’s leading tenors, returns with his new album ‘Verdi’. Pre-order here: decca.lnk.to/VerdiID
The album sees Calleja explore the light and dark in Verdi’s heroic tenor roles and features guest appearances from soprano Angela Gheorghiu and baritone Vittorio Vitelli.
Verdi has a special place in Calleja’s heart, having made his debut as Macduff in Verdi’s Macbeth when he was just 19. It is his first new album in six years – his last solo album ‘Amore’ was released in September 2013 and he was also part of a 2013 recording of Verdi’s Simon Boccanegra. However, this new album marks a significant step into Verdi repertoire for Calleja, as he tackles new roles which has yet to play on stage.
Among the arias on the new album are ‘Di quella pira’ and ‘Ah! Si, ben mio…’ from Il Trovatore, ‘Già nella notte densa’ from Otello, and ‘Celeste Aida’ from the opening scene of Verdi’s Egyptian opera. Each of the roles on this album celebrate the tenore robusto as the voice-type of an operatic hero and showcase Calleja’s powerful yet lyrical voice.